Showing posts with label Froulala Fashion. Show all posts
Showing posts with label Froulala Fashion. Show all posts

6.21.2011

Coraled

A few days ago, Stacey Bewkes of Quintessence, posted a photo of the necklace I made for her. Thanks Stacey for the shoutout! Now that it's officially summer and I'm 877 nautical miles (1625 km) from the equator, I've been wearing a lot of coral. 
I joyfully take out old pieces and sometimes rework them,
Or make something new and mix them all up
with pieces I've bought from my travels.
 Another old favorite that I can't part with is
Joanna Lhuillier's white bag with the most delightful
beaded marine treasures.
 My It-Bag for naughtical adventures....
corals found combing the Batangas shore
summer 2010


6.12.2011

Bookworm Weekend: Yves Saint Laurent & Pierre Bergé

Unwinding from NYC Design Week (mid-May), my stylish friend, Betty Lyn Eller and I caught L'Amour Fou by Pierre Thoretton at The Paris Theatre. It was a magnificent film recounting how YSL and Pierre Bergé came together, their life, love, deep connection, their massive trove of beautiful objets d'art that filled their amazing properties, and the astounding farewell auction of these beautiful things. There will never be a collection this diverse, tasteful, well curated, and planned with exact detail. It is truly a reflection of their personalities, lives, and uncompromising desires.
The partners worked with equally talented names---the late architect and decorator Bill Willis, designer Jacques Grange, architect and decorator Francois-Joseph Graf, garden designer Louis Benech, architect and landscape artist Pascal Cribier, garden designer Madison Cox, and the late landscape artist Franz Baechler to express their vision.



These 2 beautiful tomes continue to be an inspirational delight and a must have for the library. This was one of my go to gifts for some designer friends last year.
The following photos are of my recent jewelry projects.
The peacock is a vintage brooch that I've converted into a necklace.

a broken coral that I will use as a pendant or ring

These tassels were from an old worn pair of Italian boots I picked up in Rome. I came home one day to find the left pair gone and found out that our friend's dog chewed on them. A part of those boots live on in this new necklace.



trailer

Colors of Summer

I've spent most of the week packing for the summer season and wrapping up work since I'm off to Cebu to work on some SNUG products in between spending time with loved ones. It seems like all I do is chase time. Either I don't manage time well enough or it feels like there's just never enough time to do ALL the things I want to do. Last Saturday---friend and brilliant photographer, Steve Cook, came by and captured my Saturday morning. He caught all my packing mess among a few other things. It seems futile but I do keep trying to pack light. I've already sent a 300 lb box ahead full of gifts and just-in-case sartorial combos and I'm now onto my 2 1/2 suitcases that are almost my size. I may be small but I have Napoleonic tendencies when it comes to juju-jewels and packing. All the photos are by Steve except for my official Frou La La summer 2011 tableaus.







6.05.2011

Vizcaya Museum and Gardens

I took a break from laying out and cocktailing this weekend and looked through some sunny photos and saw these from my archives. I frequently visit South Florida to see my aunt and uncle. The last time I did, good friend Carmen Natschke of The Decorating Diva fame, strongly urged a visit to Vizcaya Museum & Gardens.
I'm so glad I took the drive to Miami from West Palm Beach, 
it was such a treat.

James Deering, 1916
 "Vizcaya was home to James Deering and a large staff that managed the estate. Deering occupied Vizcaya only in the winter months, from 1916–1925, when he died. Deering was a Vice President of the International Harvester Company, which produced agricultural equipment for a worldwide market.  He chose a bayfront site in Miami for his tropical winter home because of the location’s temperate winter climate and his appreciation of the native hardwood hammock.  In addition, his father, William, had already settled in Coconut Grove and his half brother, Charles Deering , would soon develop an estate at Cutler, in what is now south Miami-Dade County. The latter is now operated as The Deering Estate at Cutler. " --- vizcayamuseum.org
 
 Architect Burrall Hoffman, 1912
I'm including photos from Women's Wear Daily at a recent third annual Vizcaya Preservation Luncheon where they say, big hats and head-to-toe black prints were the reigning trends.





 entrance loggia
"At the time of Vizcaya’s construction, Miami’s population was around 10,000.  More than 1,000 workers were employed in the Vizcaya project, including laborers and craftsmen from the Caribbean and Europe.  In addition to the house and gardens, the complex included a farm, livestock, and a variety of other service facilities covering 180 acres on both sides of South Miami Avenue." --- vizcayamuseum.org

Secret Garden workers, 1916

the secret garden

 Village in 1917


entrance hall
"When he began building his winter home, Deering engaged the assistance of Paul Chalfin , a young New York painter, to supervise the entire project.  Deering and Chalfin traveled throughout Europe surveying residential architecture for ideas and obtaining components such as doors, wall panels, mantels and ceilings that would be incorporated into the proposed home. Also working on the project were architect F. Burrall Hoffman and Colombian landscape architect Diego Suarez . " --- vizcayamuseum.org
painter Paul Chalfin


 



"The house was intended to appear as an Italian estate that had stood for 400 years and had been occupied and renovated by several generations of a family.  It has 34 decorated rooms with 15th through 19th century antique furnishings and art objects. The house appears to be only two stories high but between the main public rooms and the bedrooms, there is an intervening level with 12 rooms for servants and service. Vizcaya intends to open these rooms to the public in the near future, thereby introducing new stories about those who lived and worked at the house." --- vizcayamuseum.org
James Deering's library
banquet hall
music room
the cathay
Deering's sitting room
Deering's bathroom
I was particularly taken with his shaving stand positioned in such a way that he would have a water view while shaving in the morning.
I took this photo of the other side of the bathroom.
James Deering's bedroom
 
guest bedroom
reception room
breakfast room
Perhaps it was the afternoon light streaming in, the breakfast room glowed. I loved the eclectic explorer flavor of the room with chinois touches.



flower-arranging room





The kitchen was a favorite of mine as well. Handsome hanging copper pots and pans always attract me and the immense hardware of this oven is gorgeous.
 east loggia
the tea room

embossed ceilings and walls leading up to the tower
also featured in one of the guest rooms

another desired area was the hallway 
that contained a smattering of one of a kind pieces
here's my adorable nephew, Zar
staircase photo from the museum archives





detail shot of stone barge from the museum archives

gazebo




view of the villa from the gazebo


 Vizcaya aerial photo
"The expansive gardens combine elements of Renaissance Italian and French designs.  Suarez and Chalfin worked for seven years, perfecting the design of the gardens as one vast outdoor room with the elements serving as complementary parts of an integrated area. Key features include the many fountains, a central pool surrounding an elevated island, the elevated Mound with its small house, or “Casino,” statuary, and several themed gardens." --- vizcayamuseum.org
landscape architect Diego Suarez, 1969
 



marine garden
 south terrace to the mound
 maze garden
David A. Klein orchidarium




After Deering’s death in 1925, a minimal staff maintained the house.  The hurricane of 1926, which devastated much of Miami, extensively damaged the house, surrounding grounds and formal gardens. Deering's heirs, Marion Deering McCormick and Barbara Deering Danielson, contacted the estate's original designer, Paul Chalfin, who oversaw the first restoration of Vizcaya in 1933-4. The McCormicks and Danielsons attempted to operate the estate as an attraction, but another major hurricane in 1935 overwhelmed their efforts. Eventually most of the land was sold for development. In 1952, Deering’s heirs generously conveyed the main house and formal gardens to Dade County, for a sum below the actual value.   In 1955, The County exercised an option to acquire the village as well.  Deering's heirs donated the estate's substantial furnishings and art to the County on condition that Vizcaya be used as a public museum in perpetuity. Over the years the effects of South Florida’s elements have taken their toll on Vizcaya, making constant restoration and the installation of a climate control system a necessity."  --- vizcayamuseum.org

We ended the day at the charming
Casa Tua restaurant.
It houses a members-only club and 5-suite boutique hotel 
personalized and designed by Michele Bonan.



The cozy feel of the restaurant goes with its 
well executed rustic menu.
grilled octopus

ravilolini del plin with sauteed mix mushrooms,
truffle pecorino, and black truffles

*photos are from personal archives (taken December 2009)except for most of the historical professional images and the fashion photos are from WWD*