Showing posts with label MoMA. Show all posts
Showing posts with label MoMA. Show all posts

11.25.2010

Neither Good nor Bad









Growing up, my father would time and again tell me this Chinese parable especially when I'm going through seemingly rough times 'cause normally, no one ever complains about the good times. Pragmatic and grounding, I go back to these words of wisdom when a good dose is needed. I found a slight variation online written by Chuck Gallozi which he titled That's Life but we call it the Neither Good nor Bad story at home.

That's terrible! That's wonderful! That's Life by Chuck Gallozi

The following is an ancient Chinese parable that is told to this day because of the wisdom it contains. Once upon a time, a poor farmer was dismayed to learn his horse had died during the night. "That's terrible," his neighbors said, "how will you till this rocky soil without your horse?"
photo taken from a Maurizio Cattelan exhibit 
Frankfurt am Main, Germany 2007

"That's life," said the farmer to his friends. Meanwhile, elsewhere in the village, a certain rich man heard of the farmer's plight and took pity on him, giving one of his many horses to the poor man as a gift. "That's wonderful! How lucky you are!" exclaimed the farmer's friends. But the farmer only said, "That's life."

Just two months later, frightened by flashes of lightning and bursts of thunder during a fierce summer storm, the poor farmer's horse leapt over the fence and ran to the mountains. "That's terrible! What will you do now?" the farmer's neighbors asked. "That's life." replied the farmer.
photo from Dia Art Foundation
(this one's in my bucket list)
In less than three months time, and much to everyone's amazement, the runaway horse returned to the poor farmer. But he did not return alone, for he was accompanied by a magnificent stallion. Now the farmer had two horses! And if his son worked with one and he with the other, they could accomplish twice as much. The neighbors marveled at such great fortune. "That's wonderful!" they said. But the farmer simply replied, "That's life."

Soon it was winter and no longer possible to till the frozen soil. The farmer's son thought this would be a good time to break in the new stallion for riding. However, the small, thin boy was no match for the mighty stallion. He was violently thrown from the horse and severely injured, breaking several bones in his leg. "That's terrible," said the neighbors, "now your son is lame." "That's life." came the answer.

Robert Gober Untitled Leg 1989-90 
*Saw his amazing art retrospective at Schaulager Basel---disconcertingly good!

In the spring, a military officer came to the village. He took with him all able bodied young men to fight in the war taking place in a neighboring province. Sadly, many of the village's favorite sons died in the war. "How lucky you are your son is lame, for he is safe with you," the neighbors said. Thanking them for their good wishes, the poor farmer said, "That's life."

Joseph Beuys The Pack, 1969

The above story continues to be told because it is a microcosm of life. In just a few paragraphs it is possible to gain an understanding of important life principles. For example, something good can come out of something bad, so don't moan about events when you don't know how they will turn out. Also, something bad can come out of something good, so don't grow too attached to your fleeting good fortune.

The most important principle in the story is that we can never know at any given moment whether our circumstances are 'good' or 'bad'. Only time will tell. So, how are we to treat life? With open arms. Accept things as they are. They are neither 'good' nor 'bad.' They simply ARE. At all times, make the most of what you have. Another way of expressing the principle under consideration is in the end, everything will turn out all right. If it isn't all right now, it isn't the end.
Many are blind to the joys of life. The cure for their blindness is not sight, but insight. They don't need eyes; they just need understanding. They need understanding of life principles, such as nothing is what seems to be. In other words, something that appears to be 'good' may actually be 'bad.' or something that appears to be 'bad' may be 'good.'







a French iron optician's shop sign 

Our perspective, perception, viewpoint, or attitude should not be based on the input of sensory data; that is, it should not be based on the appearances of things. Rather, our view of life should be based on the light of knowledge and understanding. Let's move from the theoretical to the practical. Consider this: judging people is like driving a car, we clearly see the headlights or glaring faults of others, yet our own headlights and faults are invisible to us. When we apply this knowledge, we will stop being offended by the actions (appearances) of others. We will see them not with our eyes, but with our hearts.


photo taken during the MoMA Exhibit of
Matthias Megyeri's Heart to Heart Chain
by Sweet Dreams Security





I encounter young people complaining that they are not appreciated at work. Can you see the irony in this? The fact that they are complaining about their workplace proves that they do not appreciate their job. Aren't they guilty of the very thing they accuse their employer of? They need to learn that happiness flows not from a particular position, but from a particular disposition. When we maintain the proper disposition, perception, or perspective, we enjoy heaven on earth, for heaven is not a matter of altitude, but of attitude. Adopting the correct view of life is essential. It is the difference between happiness and misery, health and sickness, and success and failure. Because of its importance, let's consider the following points.



1. Become aware of your perception of life. Are you always cheerful, grateful to be alive? If not, stop complaining because it's unproductive. Rather, understand that perception comes not from what you see, but from what you are. If you are unhappy, the problem lies with you. It is not the world that is unhappy, but YOU that are unhappy, so it is not the world that needs to change, but YOU that needs to.








2. How do you need to change? Begin by realizing that there are an infinite number of ways to interpret events. And you have the power to choose one of the unlimited viewpoints. You could, for example, choose to look at a particular situation negatively. But why would you want to do that? For such a viewpoint is harmful. Decide now to stop reacting to life's challenges with automatic responses. Learn to stop and think before you act. See the world with the light of reason and don't judge it by its appearances.




3. Realize that when you choose to see the world differently, you will feel differently. And when you feel differently, you will act differently. Your outlook affects your outcomes, so choose wisely.
6. Deciding to change is not enough. Don't stop with good intentions, but end with good follow-through. Make a plan and complete what you begin.







Cy Twombly 

7. Developing new habits always involves some effort, but don't be discouraged by a little discomfort. Remember, life is not meant to be comfortable; it is meant to be exhilarating.








8. When facing difficulties, remember that they did not come about by dumb luck or blind fate. Luck is not dumb and fate is not blind. It is you that are blind. After all, how can you see today how things will turn out tomorrow? Be like the poor farmer and say, with peace of mind, "That's life".







Eros, C'est La Vie

It may seem a bit strange to have these thoughts on Thanksgiving (I didn't grow up celebrating it) and the images are not tres frou la la! They are artists I admire and at times, it is this sense of displaced normalcy in their work that inspires me as a designer. Everyday, I live with a gloriously grateful heart and know I'm truly lucky for all my blessings. And everyday, I try to communicate that to family, friends, colleagues, associates, acquaintances, and the universe as much as I can through words, notes, deeds---combining old school and digital means.  Rarely do I take the time to reflect on the unpleasant experiences that contributed to where I am today. So on this Thanksgiving, I honor and thank the bad as much as I do the good 'cause it's not all lavender and roses!

10.12.2010

Social Media Diary 4 Year 1:SNUGging

As we feverishly prepare for High Point Market, I have flashbacks of our introductory  SNUG launch at the International Contemporary Furniture Fair last spring. 5 months just flew by and now we're on our second show and debuting this Friday at Interhall IH611. InterHall at the IHFC Building has earned a reputation for housing what's new, what's hot, and what will be the next big trend. We are extremely excited to be in this premium hotspot amidst twelve million square feet of endless showrooms. For our Spring show, Tracy Hiner of Black Crow Studios, collaborated with us by showing some snug love with her wallpaper artistry. We met on Twitter and didn't meet in real life until the day before the show! A testament to how social media can work for any of us. Here is her ahhmaazing work!







And here is her blog post on our collaboration process
 
Here is Tracy with the wallpaper Alex and I chose. It was her favorite too and we didn't even ask her to do anything specific. Voila, the colors matched! I am happy to say that because of our collaboration, she is also doing something with another Twitter friend soon for the holidays and I look forward to seeing it come together.
 The Queen of Social Media in the home and furniture industry, 
looking resplendent on the Pugella sofa.
 caught their first meeting in real life or as we say in Twitlingo, IRL
Leslie and Marcy Feld of Irwin Feld Design
 Another IRL moment for us with Carmen Natschke of
 The ICFF party at the MoMA Garden
 It couldn't have been more exquisite!

Jackie's sister and daughter, Jackie Von Tobel, Tracy


While in the city, I also got to catch Michele Keith's 
book signing for Designers Here and There at Rizzoli





 Eric Cohler, one of the featured designers, 
signing my book.
 Rizzoli Bookstore
 Its interiors are as venerable as its tomes.

Then I got invited by Tamara Stephenson
to Dominique Browning's Slow Love 
book signing at Barnes and Noble
It was a wonderful reading and parts of the Q & A were thought provoking. I bought the book and had it signed for a dear friend who was in a similar situation. It was the perfect token for her when we met for brunch the next day. I read a few chapters and will definitely buy another copy.
Dominique Browning, widely known as the former editor of House & Garden 
though she wears many hats and blogs at  Slow Love Life
The lovely Tamara and her son, Myles. We also met on Twitter and have shared a lovely conversation over  coffee at Via Quadronno. I am enamored with this little gem  on the Upper East Side and have been back since. Thanks T for bringing me there. Tamara's blog Nest Nest Nest showcases not only her interior design talents but also gives a peek into her philosophical perspective. Design, gardening, entertaining, antiques, and history, with beautiful photography (by daughter Gaby) are interwoven beautifully. As I rush about my marathon week, I try to channel all the sensations that embody the slow life to balance me.

1.30.2010

TransFURmation

Le Dejeuner en Fourrure, 1936
Meret Oppenheim 

The teacup was inspired by a conversation between Oppenheim and artists Pablo Picasso and Dora Maar while at Cafe de Flore in Paris. Admiring Oppenheim's fur-covered  brass bracelet, Picasso remarked that one could cover anything with fur, to which she replied, "Even this cup and saucer." Soon after, when asked by AndrĂ© Breton, Surrealism's leader, to participate in the first Surrealist exhibition dedicated to objects, Oppenheim bought a teacup, saucer, and spoon at a department store and covered them with the fur of a Chinese gazelle. In so doing, she transformed genteel items traditionally associated with feminine decorum into sensuous, sexually punning tableware--- MoMA

class notes:
"Inspired by Carl Jung and Sigmund Freud, Surrealists viewed their work as an expression of their unconscious, inner world of their pysche, dreams and the fantasy realm. The aim of the proponents of this movement was to combine or juxtapose inner or outer reality, unrelated events or objects that convey an element of surprise. Naturalistic Surrealists showed obvious scenes whereas Biomorphic Surrealists showed abstraction and organic forms. Meret Oppenheim was one of the few women in this period with an unconventional streak. Her youthfulness, free spirit, and uninhibited beauty developed the model for a Surrealist woman---beautiful, independent and creative. 

Many of the artist's pieces allude to female sexuality and feminine exploitation by the opposite sex. In her one woman exhibit at the Galerie Schultness in Basel, visitors called her the quintessential surrealist symbol for her originality and audacity. This piece is whimsical and humorous. It captures surrealist moods by provoking, defying logic, and sensual.
  
She also strongly believed that art has no gender, and strove to balance and unite the opposite sides of her psyche, the spiritual-female and spiritual-male, an effort that was reflected in her appearance and in the dreams of her last years. She felt that, ever since the establishment of patriarchy, the female principle had been devalued and projected on to women. Because of this disturbed balance, she felt that a new direction in the evolution of mankind is needed, where the female principle is not devalued and humanity arrives at wholeness."

 A muse for Man Ray, he did this portrait of her
"Every notion is born along with its form. 
I make reality of ideas as they come into my head" 
-Meret Oppenheim

  
Man Ray's portrait of the object

 Fur Gloves with Wooden Fingernails
Image Credit: Tate. Copyright DACS, London 2009

 
For Zizi's (my fave art teacher) art history class, we were asked to pick an artwork that spoke to us. It was no surprise to a few that this would be my choice. Personally, I like its eroticism and primal qualities. It invites the viewer into imagining what the fur lined cup might feel like to drink from. It makes one wonder about that particularly unusual sensation. It was recently featured in MoMA's recent exhibit on The Erotic Object which I saw. As this wintry night pronounces its presence, I echo Meret's words to Picasso "un peu plus de fourrure", s'il vous plaît....
   
Table With Bird's Feet, 1939
Meret Oppenheim

*Books on the artist